Dan Sweneay p

Daniel Sweaney, viola

Daniel Sweaney made his New York debut in Avery Fisher Hall at the 1999 Mostly Mozart Festival.   “..extremely talented and highly trained...poised and accomplished...”  said Strings Magazine.  Dr. Sweaney began his musical studies in his public school’s string program at age eleven.  He has since had a diverse education in the United States and Europe and performed across the globe. 

   Daniel Sweaney has won prizes at the Fischoff National Chamber Music Competition, the Down Beat MagazineChamber Music Competition, was a two time recipient of the Interlochen Arts Academy Fine Arts Award for Outstanding Performance in Viola, and was the recipient a Frank Huntington Beebe Grant and the Elizabeth Hamner Grant.  He was a teaching assistant and a chamber music coach at The Perlman Music Program and participated in their exchange trips to Tel-Aviv and Shanghai. Dr. Sweaney has held faculty positions at the Cleveland School for the Arts, Rice University Preparatory Department, The Boulder Arts Academy, Sewanee Summer Music Center, the Interlochen Viola Institute, the North American Viola Institute at the Orford Arts Centre, the Rocky Ridge Music Center, and the University of Alabama.  He has given masterclasses at the University of Virginia, Kentucky, Tennessee, Bowling Green State University, Louisiana State University, Texas Tech University, Brandeis University, Cincinnati Conservatory of Music, the Instituto Superior de Arte in Havana Cuba, and the National Orchestra Festival.  His student’s have received fellowships to the Aspen Music Festival and scholarships to the Quartet Program, Brevard Music Center, Eastern Music Festival, Kent Blossom, Hot Springs, National Music Festival, and the AIMS Graz Festival.  They have been awarded the McElroy Scholarship, Most Outstanding Senior at the University of Alabama, a Narramore Fellowship, Presser Scholarship, and the Emily Searcy Rogers Scholarship.  

  Mr. Sweaney has collaborated with Itzhak Perlman, Ani Aznavoorian, Ron Leonard, Stefan Milenkovich, Merry Peckham, and Peter Sellers.  While living in Austria, he performed regularly with the Camerata Salzburg under Sir Roger Norrington, Leonidas Kavakos, Walter Weller, and Heinrich Schiff.  Recent venues and festivals include, Salzburg Mozarteum Grossersaal, Vienna Konzerthaus and Musikverein, KKL Lucerne, Bilbao and Madrid, Spain, Athens Megaron, Camerata Salzburg’s Beethoven and Haydn Begegnung, Vienna Festwochen, Salzburg Mozart Woche, Bergen Norway Festspiel, Schubertiad Bezau, Austria, Würzburg Mozart Festival, Singapore Arts Festival, The Best of the Nordrhein-Westfalen series, The Beethoven House in Bonn, SUNY Purchase, Lincoln Center’s Great Performers Series, Carnegie Hall, the Kennedy Center, and Symphony Hall in Chicago.  He has recorded with the Camerata Salzburg for Universal the complete works for flute and orchestra with soloist Andrea Griminelli and works by Mozart with pianist Sebastian Knauer and violinist Daniel Hope.  His first CD Violin and Viola Duos Through the Centuries with Annette-Barbara Vogel was released in 2013.  

  Daniel Sweaney studied at the Interlochen Arts Academy, The Cleveland Institute of Music, Rice University, the Universität Mozarteum, Salzburg, and the University of Colorado, Boulder.  He has taught at the University of Alabama, Interlochen Center for the Arts, Orford Arts Centre, the Rocky Ridge Music Center, and the Green Mountain Chamber Music Festival.  His teachers include Heidi Castleman, David Holland, Thomas Riebl, Martha Strongin-Katz, Roger Tapping, Erika Eckert, and Geraldine Walther.   Daniel Sweaney is currently Associate Professor of Viola at the University of South Carolina.  

  Daniel Sweaney began his musical studies at age eleven. He has since had a diverse education in the United States and Europe and performed throughout the globe. He has won prizes at the Fischoff National Chamber Music Competition, the Down Beat Magazine Chamber Music Competition, was a two time recipient of the Interlochen Arts Academy Fine Arts Award for Outstanding Performance in Viola, and was the recipient a Frank Huntington Beebe Grant and the Elizabeth Hamner Grant.  He was a teaching assistant and a chamber music coach at The Perlman Music Program and participated in their exchange trips to Tel-Aviv and Shanghai. Dr. Sweaney has held faculty positions at the Cleveland School for the Arts, Rice University Preparatory Department, The Boulder Arts Academy, Sewanee Summer Music Center, the Interlochen Viola Institute, the North American Viola Institute at the Orford Arts Centre, the Rocky Ridge Music Center, Green Mountain Chamber Music Festival, and the University of Alabama.  He has given masterclasses at the University of Virginia, Kentucky, Tennessee, Bowling Green State University, Louisiana State University, Texas Tech University, Brandeis University, the Instituto Superior de Arte in Havana Cuba, the National Orchestra Festival, and has been a guest artist at the South Carolina Viola Intensive.  His students have received fellowships to the Aspen Music Festival and scholarships to the Quartet Program, Brevard Music Center, Eastern Music Festival, Kent Blossom, Hot Springs, National Music Festival, Texas Music Festival, and the AIMS Graz Festival.  They have been awarded the McElroy Scholarship, Most Outstanding Senior at the University of Alabama, a Narramore Fellowship, Presser Scholarship, and the Emily Searcy Rogers Scholarship.  

  Dr. Sweaney has collaborated with Itzhak Perlman, Ron Leonard, and Merry Peckham.  While living in Austria, he performed regularly with the Camerata Salzburg at such venues and festivals as, the Salzburg Festival, Vienna Konzerthaus and Musikverein, Singapore Arts Festival, The Beethoven House in Bonn, Lincoln Center’s Great Performers Series, Carnegie Hall, the Kennedy Center, and Orchestra Hall in Chicago.  He has performed at the five International Viola Congresses.

   Daniel Sweaney performs regularly as a duo with violinist Annette- Barbara Vogel.   Together they have performed in the United States, Europe and throughout Canada.  Their first recording Violin Viola Duos Through the Centuries was described by American Record Guide as “superior playing and a gorgeously recorded performance.”

  Daniel Sweaney studied at the Interlochen Arts Academy, The Cleveland Institute of Music, Rice University, and the Universität Mozarteum, Salzburg.  His major teachers include Heidi Castleman, Thomas Riebl, Roger Tapping, Geraldine Walther, Martha Strongin Katz, and Erika Eckert.  He has taught at the University of Alabama, Interlochen Center for the Arts, Orford Arts Centre, the Rocky Ridge Music Center, and the Green Mountain Chamber Music Festival.  Daniel Sweaney is currently Associate Professor of Viola at the University of South Carolina. 

Brian Snow p

Brian Snow, cello

Praised by the Boston Globe for his “…pugnacious, eloquent, self-assurance…”, cellist Brian Snow has earned a reputation as a compelling and versatile performer and a skilled educator. Dr. Snow has performed and recorded with a variety of artists, including Meredith Monk, The National, Max Richter, Björk, and the Emerson String Quartet and has worked closely with composers including Nico Muhly, David T. Little, and Martin Bresnick. In 2013, he and violinist Caroline Chin released a critically acclaimed CD of violin and cello music by Elliott Carter on Centaur Records. He has also appeared on New Amsterdam, Innova, Deutche Gramophon, Cantaloupe, and Naxos labels. He has performed at venues including Carnegie Hall, Alice Tully Hall, Bargemusic, 92nd St. Y, Muziekgebouw in Amsterdam, and Suntory Hall in Tokyo, Japan, and has performed regularly with many prominent contemporary music ensembles, including ACME, Alarm Will Sound, Da Capo Chamber Players, and Talea Ensemble. As principal cellist of New York Symphonic Ensemble, Dr. Snow performed in halls throughout Japan on that ensemble's annual tours and has appeared as soloist at halls in Fukuoka and Sendai. Other concerto appearances include Riverside Orchestra in New York, Longy Chamber Orchestra in Boston as winner of the Longy Concerto Soloists Competition, Crescent City Symphony in New Orleans, the Hartt Symphony as first prize winner of the Paranov Competition, and the BGSU Philharmonia. Dr. Snow has presented recitals and masterclasses nationally and internationally at institutions including Oberlin Conservatory, University of Missouri, Sam Houston State University, and Sichuan Conservatory in Chengdu, China. Dr. Snow received a DMA from Stony Brook University, a MM from Yale, and holds degrees from Hartt and Longy Schools of Music. His teachers have included Aldo Parisot, David Finckel, Terry King and Colin Carr. Dr. Snow has previously served in faculty positions at Sarah Lawrence College, Western Connecticut State University, and Brooklyn Conservatory and currently serves as Assistant Professor of Cello at Bowling Green State University. In the summers, Dr. Snow serves on the faculty of the Brevard Music Center. He performs on a cello made by master American luthier Jon van Kouwenhowen.

Marlene Gingrois Roy p
Marylène Gingras-Roy, viola

A native of Quebec City, the violist Marylène Gingras-Roy has been a member of the Pittsburgh Symphony Orchestra since 1997, and she is currently the acting assistant principal.
Marylène Gingras-Roy is an avid chamber-music performer and maintains a full teaching schedule as Adjunct Professor of Viola at Duquesne University, at her private home studio, and as a viola coach for the Three Rivers Young Peoples Orchestra and the Pittsburgh Youth Symphony.
She has taught at many summer music festivals, including Cap des Laurentides and Domaine Forget, Québec, Interharmony International Music Festival in Germany and Italy, Advanced Chamber Music Seminar in Pittsburgh, Sun Valley Music Institute in Idaho, and Zodiac Music Festival in France. She was also given master classes at the Cleveland Institute of Music, West Virginia University, Carnegie Mellon University and at summer festivals.
Marylène Gingras-Roy has been featured as a soloist with the Pittsburgh Symphony at many occasions, with the Duquesne University Orchestra and different youth symphonies in Pittsburgh.
Marylène Gingras-Roy has participated in many festivals, including the Festival dei Due Mondi in Spoleto, Italy, the Solti Project at Carnegie Hall, the Jerusalem Music Festival, the Jeunesses Musicales World Orchestra, Steamboat Springs and Buzzards Bay Musicfest, the Pittsburgh New Music Ensemble, and since 2000 at the Sun Valley Summer Symphony in Idaho.
She studied at the Conservatoire de Musique de Québec with Douglas McNabney and Francois Paradis and graduated in 1993 with unanimous First Prizes in both viola and chamber music. As a recipient of Canada and Québec Arts Councils’ Scholarship Grants, she was able to attend the Harid Conservatory with Victoria Chiang and the renowned Curtis Institute of Music with Karen Tuttle and Joseph DePasquale, where she earned an Artist Diploma in 1997.
Marylène Gingras-Roy’s recordings of chamber music include Leo Zeitlin’s Yedish songs and the Caprichos Nos. 2-4 by Leonardo Balada (world premiere recording) for the Naxos label, Philip Thomson’s Separate Self, Joe Engel’s chamber music for the Pittsburgh Jewish Music Festival, and also the Serenade No. 6 for Trombone, Viola and Cello by Vincent Persichetti.
Marylène Gingras-Roy’s viola is by Italian maker Umberto Muschietti (1929).

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