Katie schleijker p

Katie Schleijker, cello

Cellist Katie Schlaikjer is a recognized quartet player, performer and teacher, she became a member of the Colorado Quartet in 2009 and joined the faculty of the University of Connecticut in 2010. As a former member of the Avalon Quartet, she received top prizes from the Concert Artist Guild, the Melbourne International Chamber Music Competition, and the Banff International String Quartet Competition. Katie has performed at the Ravinia, Tanglewood, Aspen, and Caramoor festivals, collaborated with Claude Frank, Roger Tapping and Peter Wiley and recorded for Albany Records.
Ms Schlaikjer’s appearances with the Colorado Quartet have included Symphony Spaces’ 2010 and 2011 Wall to Wall marathon concerts, performances in San Francisco, Ohio, Virginia, Delaware, and the British Virgin Islands and two performances of the complete Bartok quartets. In 2011, she premiered J Mark Scearce’s cello concerto “Aracana” with the University of Connecticut’s Symphony Orchestra and traveled to China to play the Haydn D major cello concerto with the Wuhan Symphony Orchestra. Katie has taught chamber music and cello at the New England Conservatory’s Extension Division, Bard Conservatory’s Preparatory Program, the Quartet Program (NY), Apple Hill (NH), and Soundfest (MA) music festivals and given master classes at the Cleveland Institute of Music and the University of Delaware.
Katie received her Doctoral and Master’s degrees from Stony Brook University and her Bachelor’s degree from the New England Conservatory. Her principal teachers have included Timothy Eddy, Laurence Lesser and Andres Diaz. Her cello was made by Paolo Castello in Genoa in 1775.

Julia Mcgrgor p

Julia MacGregor, cello

British born cellist, Julia MacGregor began her musical studies with piano lessons at the age of five and started the cello two years later. She was awarded a music scholarship at the age of 10 to study at Watford School of Music with Malka Cossack until she began her studies at the age of 17 at the Royal Northern College of Music in Manchester with Raphael Sommer. After three years of study with Raphael Sommer she began further schooling with Ralph Kirshbaum and graduated with a first class honours diploma. A further two years of study with Ralph Kirshbaum included two solo performances of Elgar’s cello concerto with the R.N.C.M. Symphony Orchestra. During this time, she was accepted as a member of the European Community Youth Orchestra and its Chamber Orchestra conducted by Claudio Abbado and Herbert Von Karajan. In Julia’s final year at the R.N.C.M., she held the position of principal cellist in the newly formed R.N.C.M. Sinfonia, formed in conjunction with the BBC to give advanced chamber orchestra experience at the highest level. Visiting conductors included Sir Edward Downes, Sir Charles Groves and Rudolph Schwartz.Julia participated in masterclasses with the Vermeer String Quartet and Sir William Glock at the R.N.C.M., Christopher Bunting at Dartington, Zara Nelsova at International Music Seminar in Prussia Cove, as well as performing in Aldeburgh Festival with Hugh Maguire directing. She was awarded the Brodsky and Henry Fielding scholarships by the R.N.C.M. and the Martin Trust Scholarship for two years, administered by the Philharmonia Orchestra in London. Throughout this period her chamber music mentor was Terence Weil who was the original cellist of the Melos Ensemble of London.Upon completion of graduate studies in Manchester, Julia was offered an assistantship to study with Marc Johnson, cellist of the Vermeer String Quartet and Raya Garbousova at Northern Illinois University, U.S.A. While studying at NIU, Julia coached chamber groups and taught undergraduate cellists the fundamentals of teaching the cello. She gained a Masters degree in Performance before returning to London England where she gained valuable orchestral experience performing with BBC Concert Orchestra, London Soloists Chamber Orchestra, London Sinfonia and Manchester Camerata.Following her marriage to Iain MacGregor in 1983, Julia relocated to South Western Ontario where she has enjoyed a varied and exciting musical career. She has performed the Boccherini B flat major concerto and Rodrigo’s second cello concerto (premier performance in Canada) with Orchestra London Canada, the Elgar and Monn concertos with London Community Orchestra, Bruch’s “Kol Nidrei” and Dvorak’s “Silent Woods” with the London Concert Players. Other solo work includes working with the Gerald Fagan Singers, performing “Svyati” by John Tavener and the “Yiddish Suite” by Glick.Julia currently performs with the newly formed London Symphonia, (formerly Orchestra London Canada) and the Stratford Festival, as well as being principal cellist of the Bach Festival Orchestra.Teaching the cello has always played an integral part throughout Julia’s musical career. She teaches students from beginner to diploma level and many have represented London at the Provincial Finals of Kiwanis Music Festival, been finalists in the Canadian Music Competition, and members in the National Youth Orchestra of Canada.Julia plays a Carlo Guiseppe Testore cello made in 1703 in northern Italy.

Frangel Lopez Cesena p

Frangel Lopez Cesena, violin

Mexican violinist, Frangel López-Ceseña, began his musical studies at the Baja California Sur School of Music under Luis Peláez-Garcia. As a talented youth, he was concertmaster of the Youth Symphony Orchestra of Mexico and performed in the First International Meeting for Peace, Tolerance, and Dialogue, a project supported by the legendary conductor, Claudio Abbado. Frangel has been invited to play at the Camerata de las Américas and the National Symphony Orchestra (Mexico) and appeared as guest soloist with a number of Mexican orchestras such as the Philharmonic Orchestra of Zacatecas, performing the Tchaikovsky Violin Concerto.
Already one of Mexico's bright young talents at age 27, Frangel has performed all over Mexico, the US, Canada, Italy, Germany, France, and Portugal sharing the stage with musicians like Patricia Ahern, Horacio Franco, Alondra de la Parra, Francisco Savín, and Anatoli Zatin. He has participated in numerous master classes offered by internationally known violinists, for example, Martin Chalifour, Michael W. Davis, Joseph Gold, Ryu Goto, Paul Huang, Pavel Popov, Jorge Risi, and Alexander Treger. He also has taken master classes with the Borromeo String Quartet and the Cuarteto Latinoamericano. He has earned first prize in both the 2014 National “Tomás Ruiz Ovalle” Violin Competition of Mexico and the 2017 CSU Concerto Competition.
Frangel received a bachelor's degree in violin performance from the Superior School of Music of the National Institute of Fine Arts (Mexico) under Cuauhtémoc Rivera-Guzmán. He holds a master's degree in Music from the Colorado State University, where he studied with Dr. Ronald Francois and performed as concertmaster of the CSU Symphony Orchestra under Maestro Wes Kenney. During his doctoral studies at Western University, he studied with Professor Annette-Barbara Vogel, and Lillian Scheirich.
Currently, he is writing a dissertation that applies Dr. Robert S. Hatten’s Theory of Virtual Agency on Heinrich Biber’s Rosary Sonatas. His research and performance interests are baroque and contemporary repertoire for violin, violin history, musical hermeneutics, rhetoric, music semiotics, and agency.